21 November
08:45
Registration
09:30 – 09:45
Welcome / TIAMSA and IHA
Johannes Nathan, TIAMSA; TU Berlin
Adelaide Duarte, IHA/NOVA FCSH
09:45 – 10:30
KEYNOTE SPEAKER
Olav Velthuis, Professor at University of Amsterdam
“How Contemporary Art Markets Are Made in the Global South”
10:30 – 10:45
Discussion
10:45 – 11:10
Coffee Break
Section 1
The Global South: The Local Markets and the Dynamics of the Global Art Market
Chair: Veronika Korbei, TIAMSA
11:10 – 11:30
Alain Quemin, Professor of Sociology of Art, Université Paris-8, France
“Leading Countries, the «Global South» and the Rest of the World: Reconsidering Categories through a Ranking of International Contemporary Art Galleries”
11:30 – 11:50
Alexandre Melo, ISCTE-IUL, Portugal
“No compass. Neither South nor North: Between Parintins and Phnom Penh”
11:50 – 12:10
Joanna Bialynicka-Birula, Department of Market Analysis and Marketing Research, Cracow University of Economics, Poland
“Analizing the International Art Trade from the Global South Perspective”
12:10 – 12:30
Idalina Conde, CIES/ISCTE-IUL, Portugal
“Contemporary Art, the Market, and the Global South”
12:30 – 12:45
Discussion
Lunch Break
Section 2 - Part 1
Southern Markets, Plural Markets, New Markets
Chair: Filipa Oliveira, Artistic Director of Casa da Cerca - Centro de Arte Contemporânea, Almada
14:30 – 14:50
Elisabetta Lazzaro, HKU University of the Arts Utrecht, Netherlands
Nathalie Moureau, Professor, Université Paul Valéry Montpellier 3, France
“Comparing Internationalization Patterns Toward Emerging Markets for Contemporary Art: The cases of Art Basel in Miami and Hong Kong”
14:50 – 15:10
Jonathan Adeyemi, Queen’s University Belfast, United Kingdom
“Oasis in the Desert: Nigeria as an Evolving Hub of the African Contemporary Art Market”
15:10 – 15:30
Petja Grafenauer, Academy of Fine Arts, University of Ljubljana, Slovenia
Nataša Ivanović, Academy of Fine Arts, University of Ljubljana, Slovenia
Andrej Srakar, Institute for Economic Research (IER); Faculty of Economics, University of Ljubljana, Slovenia
“The Ljubljana Biennial of Graphic Arts and Its Socioeconomic Context: Capitalist vs. Socialist Art Markets”
15:30 – 15:45
Discussion
15:45 – 16:25
Long Coffee Break
Section 2 - Part 2
Southern Markets, Plural Markets, New Markets
Chair: Luís Urbano Afonso, Professor, Departamento de História/Artis - Instituto de História da Arte, Faculdade de Letras da Universidade de Lisboa
16:25 – 16:45
Iain Robertson, Head of Art Business Studies, Sotheby’s Institute of Art
“Chinese Contemporary Export Art: 1989-2019”
16:45 – 17:05
Simeng Chang, Erasmus University Rotterdam, Netherlands; Burgundy School of Business, France
“Network and Structure: Mapping the Museum Valorization in Chinese Emerging Contemporary Art”
17:05 – 17:25
David Challis, Melbourne University, Australia
“Art as Alchemy: Reframing the ‘Work’ of Art in the Global South”
17:25 – 17:40
Discussion
Special Events
optional
18:30 – 19:30
Atelier Joana Vasconcelos (registration required, here, max. 30 participants)
Edifício Gonçalves Zarco, Rua da Cintura do Porto de Lisboa, Doca de Alcântara Norte
1350-352 Lisboa, Portugal
22 November
Section 3
The Collecting Process. Models, New Collectors and New Private Museums
Chair: Adelaide Duarte, IHA/NOVA FCSH; TIAMSA-AMC_PSB
09:30 – 09:50
Melanie Fasche, Sotheby’s Institute of Art, London
“Asian Art Collectors and Their Role in Markets of Contemporary Art”
09:50 – 10:10
Georgina Bexon, Royal Society of Arts and Royal Asiatic Society, UK
“Philanthropists and Patrons – A New Future for the Indian Contemporary Art Market”
10:10 – 10:30
Nei Vargas da Rosa, Federal University of Rio Grande do Sul, Brazil
“Perspectives of Contemporary Art Collecting in Brazil”
10:30 – 10:50
Paco Barragán, University of Salamanca, Spain
“The Fantastic Voyage: The History of Collecting from Pre-Modern Assyria until Contemporaneity in Six Typologies (Psychologists and Sociologists Please Abstain!)”
10:50 – 11:05
Discussion
11:05 – 11:25
Coffee Break
Section 4 - Part 1
Agents in the Market: Circulation and Friction in the Art System
Chair: Helena Barranha, Assistant Professor at Instituto Superior Técnico, Universidade de Lisboa, and Researcher at the Institute of Art History, School of Social Sciences and Humanities, Universidade NOVA de Lisboa
11:25 – 11:45
Michael Hutter, Professor at the Institute of Sociology, Technische Universität Berlin; Berlin Social Science Center (WZB)
“Shifts in Consecration Power of and for African Players in Global Art Play”
11:45 – 12:05
Olga Sooudi, Department of Anthropology, University of Amsterdam
“A Dealer’s Work: Creating Value, Creating Narratives”
12:05 – 12:25
Ana Avelar, University of Brasília, Brazil
“Clara Diament Sujo: Dealing with 'Art of the Americas' in Venezuela and the US”
12:25 – 12:45
Amanda Brandellero, Department of Arts and Culture Studies, Erasmus University, Rotterdam
“Placing Art in the Global Art Market: Status, Practices and Networks of Brazilian Art Galleries in a Transnational Cultural Field”
12:45 – 13:00
Discussion
Lunch Break
13:15 – 14:15
TIAMSA Groups Round Table
Section 4 - Part 2
Agents in the Market: Circulation and Friction in the Art System
Chair: Juan Arturo Rubio Arostegui, Director of Doctoral School, Universidad Nebrija, Spain
14:30 – 14:50
Jérémie Molho, Robert Schuman Centre for Advanced Studies, European University Institute, Florence, Italy
“Singapore and the Construction of a Southeast Asian Art Market”
14:50 – 15:10
Anita Archer, Melbourne University, Australia
“Global [South] Ambition: The Role of Art Auctions in the Strategic Positioning of Singapore and ‘Southeast Asian Art’”.
15:10 – 15:30
Mary Corrigall, Independent researcher
“How Validation Patterns Have Limited South-Centricity in the Contemporary African Art Ecology”
15:30 – 15:50
Carolina Rodovalho, Independent researcher
“Is the Art Market Biased? Women Artists in the Spanish Art Market.”
15:50 – 16:05
Discussion
16:05 – 16:25
Coffee Break
Section 5
The Legal Regime of The Purchase and Sale of Works of Art, Due Diligence and the Rights of the Artists
Chair: Fernando Loureiro Bastos, Universidade de Lisboa; TIAMSA-AMC_PSB; TIAMSA Legal
16:25 – 16:45
Sarah Hegenbart, Technical University, Munich
Philipp Nuernberger, Attorney, LL.M. (NYU)
“Restitutions and Art Markets in the Global South: Analysing the Implications of the Sarr-Savoy Report for African Art Markets”
16:45 – 17:05
Alicja Jagielska-Burduk, UNESCO Chair on Cultural Property Law, University of Opole, Poland
Claudia Quiñones, Attorney, Amineddoleh & Associates, New York
“The Concept of Due Diligence for Cultural Property Transactions in the 1995 UNIDROIT and 1970 UNESCO Conventions”
17:05 – 17:25
Mariana Vogelaar Carlucci, Universidade de São Paulo, Brazil
“Inadequacy and Insufficiency of Brazilian Law on Droit de Suite and the Advantages of a Universal Resale Royalty Right for the Global South”
17:25 – 17:45
Żaneta Gwardzińska, UNESCO Chair on Cultural Property Law collaborator, University of Opole, Poland
“Private Collections and Private Museums in Polish Law”
17:45 – 18:00
Discussion
20:00
Dinner
Mezzanine Creative Restaurant
Rua da Boavista 106-108, Santos
1200-013 Lisboa
Open to all (self-paid, 20€ p.p.), with mandatory registration: click here
Registration deadline: November 10
23 November
Section 6
The Crisis: Impact and Strategies
Chair: Marta Ibañez Perez, Independent Researcher; TIAMSA-AMC_PSB
09:30 – 09:50
John Zarobell, University of San Francisco, Unites States
“Strategies of Collectivization: Art Market Alternatives from the Global South”
09:50 – 10:10
Annatina Aerne, University of St.Gallen, Switzerland
“The Double-Edged Sword of Prestige: A Network Analytic Approach to the Cooperation among Art Organizations in Bogotá’s Emerging Art Scene”
10:10 – 10:30
Linli Li, School of Art and Design, Guangdong University of Technology
“A Study on Art Funds in China: Features, Values, and Limits”
10:30 – 10:50
Vera Carmo, Colégio das Artes da Universidade de Coimbra (UC) and Instituto Universitário da Maia (ISMAI), Portugal
“Mola: Documenting Artist-Run Spaces”
10:50 – 11:10
Luís Urbano Afonso, School of Arts of the University of Lisbon
Alexandra Fernandes, ISCTE-IUL, Portugal
Loizos Petrides, ISCTE-IUL, Portugal
“The Reinvention of the Business Model of a Major Portuguese Auction House”
11:10 – 11:25
Discussion
11:25 – 11:45
Coffee Break
11:45 – 12:30
KEYNOTE SPEAKER
Ana Letícia Fialho, Visiting Professor at Universidade Federal de São Paulo
“Contemporary Art Markets in Latin America: Internationalization in Disequilibrium”
12:30 – 12:45
Discussion
12:45 – 13:00
Conference Ends
Johannes Nathan, TIAMSA; TU Berlin
Veronika Korbei, TIAMSA
Lunch Break
14:00 – 15:30
TIAMSA Annual General Meeting
Special Events
optional
16:30 – 18:00
National Tile Museum (registration required, here, max. 30 participants)
Rua da Madre de Deus, 4, 1900-312 Lisboa
Other suggestions:
Berardo Collection Museum
MAAT: Museum of Art, Architecture and Technology
National Coach Museum
MNAC: National Museum of Contemporary Art-Chiado Museum
Calouste Gulbenkian Foundation
Arpad Szenes – Vieira da Silva Museum
Medeiros e Almeida House-Museum
Anastácio Gonçalves House-Museum
24 November
Special Events
optional
12:00
Anozero - Coimbra Biennial of Contemporary Art (anozero-bienaldecoimbra.pt)
Meeting point:
Mosteiro de Santa Clara-a-Nova
Confraria Rainha, 3040-270 Coimbra, Portugal
Guided visit with the curators Agnaldo Farias and Lígia Afonso. Required registration, here.
Transportation:
- by train (CP – Comboios de Portugal, 2h30), about 20€ (one way)
- by bus (Rede Expressos, 2h20), about 14€ (one way)
11:30
Casa São Roque - Centro de Arte (casasroque.art/en/)
Rua São Roque da Lameira, 2092
4350-317 Porto, Portugal
The participants will be welcomed by collector Pedro Álvares Ribeiro, who is responsible for the Casa São Roque - Centro de Arte, and who will be pleased to offer a Vintage Port Wine to the group.
Required registration, here.
Transportation:
- by train (CP – Comboios de Portugal, 3h), about 25€ (one way)
- by bus (Rede Expressos, 3h15), about 20€ (one way)
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Attention!
Participation in Special Events requires Conference registration.
Participants must secure their transportation to the Special Events.
Participation in Special Events requires Conference registration.
Participants must secure their transportation to the Special Events.
Image credits: A Janela Aberta, 1998, by Pedro Calapez, at Veritas Art Auctioneers (@veritasartauctioneers)
Website credits: Frederico Duarte, IHA/NOVA FCSH
Website credits: Frederico Duarte, IHA/NOVA FCSH
