THE ART MARKET AND THE GLOBAL SOUTH
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    • Organization
  • Keynote Speakers
  • Programme
  • Book of Abstracts
  • Call for contributions
  • Call for papers
  • Registration
  • Venue & Accommodation
  • Useful Information
  • Contact us

Programme.

 
21 November


08:45
Registration
 
09:30 – 09:45
Welcome / TIAMSA and IHA
Johannes Nathan, TIAMSA; TU Berlin
Adelaide Duarte, IHA/NOVA FCSH
 
09:45 – 10:30
KEYNOTE SPEAKER
Olav Velthuis, Professor at University of Amsterdam
“How Contemporary Art Markets Are Made in the Global South”
 
10:30 – 10:45
Discussion
 
10:45 – 11:10
Coffee Break
 
Section 1
The Global South: The Local Markets and the Dynamics of the Global Art Market
Chair: Veronika Korbei, TIAMSA


11:10 – 11:30
Alain Quemin, Professor of Sociology of Art, Université Paris-8, France
“Leading Countries, the «Global South» and the Rest of the World: Reconsidering Categories through a Ranking of International Contemporary Art Galleries”
 
11:30 – 11:50
Alexandre Melo, ISCTE-IUL, Portugal
“No compass. Neither South nor North: Between Parintins and Phnom Penh”

11:50 – 12:10
Joanna Bialynicka-Birula, Department of Market Analysis and Marketing Research, Cracow University of Economics, Poland
“Analizing the International Art Trade from the Global South Perspective”
 
12:10 – 12:30
Idalina Conde, CIES/ISCTE-IUL, Portugal
“Contemporary Art, the Market, and the Global South”
 
12:30 – 12:45
Discussion
 
Lunch Break

Section 2 - Part 1
Southern Markets, Plural Markets, New Markets
Chair: Filipa Oliveira, Artistic Director of Casa da Cerca - Centro de Arte Contemporânea, Almada

14:30 – 14:50
Elisabetta Lazzaro, HKU University of the Arts Utrecht, Netherlands
Nathalie Moureau, Professor, Université Paul Valéry Montpellier 3, France
“Comparing Internationalization Patterns Toward Emerging Markets for Contemporary Art: The cases of Art Basel in Miami and Hong Kong”

14:50 – 15:10
Jonathan Adeyemi, Queen’s University Belfast, United Kingdom
“Oasis in the Desert: Nigeria as an Evolving Hub of the African Contemporary Art Market”

15:10 – 15:30
Petja Grafenauer, Academy of Fine Arts, University of Ljubljana, Slovenia
Nataša Ivanović, Academy of Fine Arts, University of Ljubljana, Slovenia
Andrej Srakar, Institute for Economic Research (IER); Faculty of Economics, University of Ljubljana, Slovenia
“The Ljubljana Biennial of Graphic Arts and Its Socioeconomic Context: Capitalist vs. Socialist Art Markets”
 
15:30 – 15:45
Discussion
               
15:45 – 16:25
Long Coffee Break
               
Section 2 - Part 2
Southern Markets, Plural Markets, New Markets
Chair: Luís Urbano Afonso, Professor, Departamento de História/Artis - Instituto de História da Arte, Faculdade de Letras da Universidade de Lisboa

16:25 – 16:45
Iain Robertson, Head of Art Business Studies, Sotheby’s Institute of Art
“Chinese Contemporary Export Art: 1989-2019”
 
16:45 – 17:05
Simeng Chang, Erasmus University Rotterdam, Netherlands; Burgundy School of Business, France
“Network and Structure: Mapping the Museum Valorization in Chinese Emerging Contemporary Art”

17:05 – 17:25
David Challis, Melbourne University, Australia
“Art as Alchemy: Reframing the ‘Work’ of Art in the Global South”
 
17:25 – 17:40
Discussion
 
Special Events
optional

 
18:30 – 19:30
Atelier Joana Vasconcelos (registration required, here, max. 30 participants)
Edifício Gonçalves Zarco, Rua da Cintura do Porto de Lisboa, Doca de Alcântara Norte
1350-352 Lisboa, Portugal

 

22 November

 
Section 3
The Collecting Process. Models, New Collectors and New Private Museums
Chair: Adelaide Duarte, IHA/NOVA FCSH; TIAMSA-AMC_PSB

09:30 – 09:50
Melanie Fasche, Sotheby’s Institute of Art, London
“Asian Art Collectors and Their Role in Markets of Contemporary Art”
 
09:50 – 10:10
Georgina Bexon, Royal Society of Arts and Royal Asiatic Society, UK
“Philanthropists and Patrons – A New Future for the Indian Contemporary Art Market”
 
10:10 – 10:30
Nei Vargas da Rosa, Federal University of Rio Grande do Sul, Brazil
“Perspectives of Contemporary Art Collecting in Brazil”
 
10:30 – 10:50
Paco Barragán, University of Salamanca, Spain
“The Fantastic Voyage: The History of Collecting from Pre-Modern Assyria until Contemporaneity in Six Typologies (Psychologists and Sociologists Please Abstain!)”
 
10:50 – 11:05
Discussion

11:05 – 11:25
Coffee Break
 
Section 4 - Part 1
Agents in the Market: Circulation and Friction in the Art System
Chair: Helena Barranha, Assistant Professor at Instituto Superior Técnico, Universidade de Lisboa, and Researcher at the Institute of Art History, School of Social Sciences and Humanities, Universidade NOVA de Lisboa

11:25 – 11:45
Michael Hutter, Professor at the Institute of Sociology, Technische Universität Berlin; Berlin Social Science Center (WZB)
“Shifts in Consecration Power of and for African Players in Global Art Play”
 
11:45 – 12:05
Olga Sooudi, Department of Anthropology, University of Amsterdam
“A Dealer’s Work: Creating Value, Creating Narratives”
 
12:05 – 12:25
Ana Avelar, University of Brasília, Brazil
“Clara Diament Sujo: Dealing with 'Art of the Americas' in Venezuela and the US”

12:25 – 12:45
Amanda Brandellero, Department of Arts and Culture Studies, Erasmus University, Rotterdam
“Placing Art in the Global Art Market: Status, Practices and Networks of Brazilian Art Galleries in a Transnational Cultural Field”

12:45 – 13:00
Discussion

Lunch Break

13:15 – 14:15
TIAMSA Groups Round Table
 
Section 4 - Part 2
Agents in the Market: Circulation and Friction in the Art System
Chair: Juan Arturo Rubio Arostegui, Director of Doctoral School, Universidad Nebrija, Spain

14:30 – 14:50
Jérémie Molho, Robert Schuman Centre for Advanced Studies, European University Institute, Florence, Italy
“Singapore and the Construction of a Southeast Asian Art Market”
 
14:50 – 15:10
Anita Archer, Melbourne University, Australia
“Global [South] Ambition: The Role of Art Auctions in the Strategic Positioning of Singapore and ‘Southeast Asian Art’”.
 
15:10 – 15:30
Mary Corrigall, Independent researcher
“How Validation Patterns Have Limited South-Centricity in the Contemporary African Art Ecology”
 
15:30 – 15:50
Carolina Rodovalho, Independent researcher
“Is the Art Market Biased? Women Artists in the Spanish Art Market.”
 
15:50 – 16:05
Discussion
           
16:05 – 16:25
Coffee Break
 
Section 5
The Legal Regime of The Purchase and Sale of Works of Art, Due Diligence and the Rights of the Artists
Chair: Fernando Loureiro Bastos, Universidade de Lisboa; TIAMSA-AMC_PSB; TIAMSA Legal
 
16:25 – 16:45
Sarah Hegenbart, Technical University, Munich
Philipp Nuernberger, Attorney, LL.M. (NYU)
“Restitutions and Art Markets in the Global South: Analysing the Implications of the Sarr-Savoy Report for African Art Markets”
 
16:45 – 17:05
Alicja Jagielska-Burduk, UNESCO Chair on Cultural Property Law, University of Opole, Poland
Claudia Quiñones, Attorney, Amineddoleh & Associates, New York
“The Concept of Due Diligence for Cultural Property Transactions in the 1995 UNIDROIT and 1970 UNESCO Conventions”
 
17:05 – 17:25
Mariana Vogelaar Carlucci, Universidade de São Paulo, Brazil
“Inadequacy and Insufficiency of Brazilian Law on Droit de Suite and the Advantages of a Universal Resale Royalty Right for the Global South”
 
17:25 – 17:45
Żaneta Gwardzińska, UNESCO Chair on Cultural Property Law collaborator, University of Opole, Poland
“Private Collections and Private Museums in Polish Law”

17:45 – 18:00
Discussion
              
20:00
Dinner

Mezzanine Creative Restaurant
Rua da Boavista 106-108, Santos
1200-013 Lisboa


Open to all (self-paid, 20€ p.p.), with mandatory registration: click here
Registration deadline: November 10


23 November


Section 6
The Crisis: Impact and Strategies
Chair: Marta Ibañez Perez, Independent Researcher; TIAMSA-AMC_PSB

09:30 – 09:50
John Zarobell, University of San Francisco, Unites States
“Strategies of Collectivization: Art Market Alternatives from the Global South”
 
09:50 – 10:10
Annatina Aerne, University of St.Gallen, Switzerland
“The Double-Edged Sword of Prestige: A Network Analytic Approach to the Cooperation among Art Organizations in Bogotá’s Emerging Art Scene”
 
10:10 – 10:30
Linli Li, School of Art and Design, Guangdong University of Technology
“A Study on Art Funds in China: Features, Values, and Limits”
 
10:30 – 10:50
Vera Carmo, Colégio das Artes da Universidade de Coimbra (UC) and Instituto Universitário da Maia (ISMAI), Portugal
“Mola: Documenting Artist-Run Spaces”
 
10:50 – 11:10
Luís Urbano Afonso, School of Arts of the University of Lisbon
Alexandra Fernandes, ISCTE-IUL, Portugal
Loizos Petrides, ISCTE-IUL, Portugal
“The Reinvention of the Business Model of a Major Portuguese Auction House”
 
11:10 – 11:25
Discussion
 
11:25 – 11:45
Coffee Break
 
11:45 – 12:30
KEYNOTE SPEAKER
Ana Letícia Fialho, Visiting Professor at Universidade Federal de São Paulo
“Contemporary Art Markets in Latin America: Internationalization in Disequilibrium”
 
12:30 – 12:45
Discussion
 
12:45 – 13:00
Conference Ends
Johannes Nathan, TIAMSA; TU Berlin
Veronika Korbei, TIAMSA          
 
Lunch Break
 
14:00 – 15:30
TIAMSA Annual General Meeting
 
Special Events
optional

 
16:30 – 18:00
National Tile Museum (registration required, here, max. 30 participants)
Rua da Madre de Deus, 4, 1900-312 Lisboa

Other suggestions:
Berardo Collection Museum
MAAT: Museum of Art, Architecture and Technology
National Coach Museum
MNAC: National Museum of Contemporary Art-Chiado Museum
Calouste Gulbenkian Foundation
Arpad Szenes – Vieira da Silva Museum
Medeiros e Almeida House-Museum
Anastácio Gonçalves House-Museum



24 November


Special Events
optional


12:00
Anozero - Coimbra Biennial of Contemporary Art (anozero-bienaldecoimbra.pt)
Meeting point:
Mosteiro de Santa Clara-a-Nova
Confraria Rainha, 3040-270 Coimbra, Portugal

 
Guided visit with the curators Agnaldo Farias and Lígia Afonso. Required registration, here.

Transportation:
- by train (CP – Comboios de Portugal, 2h30), about 20€ (one way)
​
- by bus (Rede Expressos, 2h20), about 14€ (one way)


11:30
Casa São Roque - Centro de Arte (casasroque.art/en/)
Rua São Roque da Lameira, 2092
4350-317 Porto, Portugal


The participants will be welcomed by collector Pedro Álvares Ribeiro, who is responsible for the Casa São Roque - Centro de Arte, and who will be pleased to offer a Vintage Port Wine to the group.
Required registration, here.

Transportation:
- by train (CP – Comboios de Portugal, 3h), about 25€ (one way)
​
- by bus (Rede Expressos, 3h15), about 20€ (one way)

Programme - The 2019 TIAMSA Conference
File Size: 661 kb
File Type: pdf
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Attention!
Participation in Special Events requires Conference registration.
Participants must secure their transportation to the Special Events.
Picture
Image credits: A Janela Aberta, 1998, by Pedro Calapez, at Veritas Art Auctioneers (@veritasartauctioneers)

Website credits: Frederico Duarte, IHA/NOVA FCSH
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  • About
    • Organization
  • Keynote Speakers
  • Programme
  • Book of Abstracts
  • Call for contributions
  • Call for papers
  • Registration
  • Venue & Accommodation
  • Useful Information
  • Contact us